toanunnery: The White Devil John Collier, 1909

toanunnery:

The White Devil

John Collier, 1909

beatpie: Faustine Léo (1832–1865), 1842Charles-Ernest-Rodolphe-Henri Lehmann (French, 1814–1882)Oil on canvas; 39 3/8 x 32 in. (100 x 81.3 cm)

beatpie:

Faustine Léo (1832–1865), 1842
Charles-Ernest-Rodolphe-Henri Lehmann (French, 1814–1882)
Oil on canvas; 39 3/8 x 32 in. (100 x 81.3 cm)

labellefilleart: Solitude, Alphons Maria Mucha

labellefilleart:

Solitude, Alphons Maria Mucha

(via nancyrivers)

artshers: Susan Watkins - Lady in Yellow c.1906.

artshers:

Susan Watkins - Lady in Yellow c.1906.

(via nancyrivers)

classic-art: Hailing the Ferry, Daniel Ridgway Knight.

classic-art:

Hailing the Ferry, Daniel Ridgway Knight.

(via nancyrivers)

the-garden-of-delights: “Portrait of Mrs. Kirkwood” (1908) by George Henry (1858-1943).

the-garden-of-delights:

“Portrait of Mrs. Kirkwood” (1908) by George Henry (1858-1943).

(via nancyrivers)

fleurdulys: The Spring Dance - Jules Scalbert

fleurdulys:

The Spring Dance - Jules Scalbert

(via enchantingnagchampa)

oldrags: Bella and Hanna, the Eldest Daughters of M L Nathanson by C W Eckersberg, 1820 Denmark (Copenhagen), Statens Museum for Kunst During the years around 1820, C.W. Eckersberg was busy painting portraits of the affluent citizens of Copenhagen. The artist’s greatest patron during his young years, the merchant Mendel Levin Nathanson, commissioned two large family portraits. The painting’s two young girlsIn one of the two works he painted Nathanson’s two oldest daughters, Bella and Hanna, in a sparingly furnished drawing room with simple panelling and furniture, including a table bearing a parrot’s cage. The two girls are shown in uncompromising poses – one strictly frontal, the other strictly from the side – and as they look very much alike, it seems likely that the painter wished to create a variation on a theme; variations like those created by the famous Danish sculptor Bertel Thorvaldsen around the same time.Symbolic readings of the paintingThe parrot opens up the scene to symbolic readings. Due to their ability to imitate human voices parrots were often seen as symbols of good breeding, a suitable allusion for a picture of two young middle-class woman. At the same time, however, the caged bird can also be regarded as a metaphor for the two unmarried women’s sheltered situation while waiting – perhaps longing? – to move out into real life. Parrots were featured in depictions of the Annunciation, since they’re foreign and exotic in most of Europe and Israel is an foreign place so parrots seemed fitting (even if they don’t actually live there). This led to an association with the Virgin Mary, seen with a parrot in works such as Jan van Eyck’s 1434 Virgin and Child with Canon van der Paele. From this comes a broader association with mothers and motherhood. Something to think about.

oldrags:

Bella and Hanna, the Eldest Daughters of M L Nathanson by C W Eckersberg, 1820 Denmark (Copenhagen), Statens Museum for Kunst

During the years around 1820, C.W. Eckersberg was busy painting portraits of the affluent citizens of Copenhagen. The artist’s greatest patron during his young years, the merchant Mendel Levin Nathanson, commissioned two large family portraits.

The painting’s two young girls
In one of the two works he painted Nathanson’s two oldest daughters, Bella and Hanna, in a sparingly furnished drawing room with simple panelling and furniture, including a table bearing a parrot’s cage.

The two girls are shown in uncompromising poses – one strictly frontal, the other strictly from the side – and as they look very much alike, it seems likely that the painter wished to create a variation on a theme; variations like those created by the famous Danish sculptor Bertel Thorvaldsen around the same time.

Symbolic readings of the painting
The parrot opens up the scene to symbolic readings. Due to their ability to imitate human voices parrots were often seen as symbols of good breeding, a suitable allusion for a picture of two young middle-class woman. At the same time, however, the caged bird can also be regarded as a metaphor for the two unmarried women’s sheltered situation while waiting – perhaps longing? – to move out into real life.

Parrots were featured in depictions of the Annunciation, since they’re foreign and exotic in most of Europe and Israel is an foreign place so parrots seemed fitting (even if they don’t actually live there). This led to an association with the Virgin Mary, seen with a parrot in works such as Jan van Eyck’s 1434 Virgin and Child with Canon van der Paele. From this comes a broader association with mothers and motherhood. Something to think about.

myoverthehillsandfaraway: Sleep Beauty, Sleep : Après le bal, Ramon Casas (1895)

myoverthehillsandfaraway:

Sleep Beauty, Sleep : Après le bal, Ramon Casas (1895)

(via nancyrivers)

fleurdulys: Young Bicyclist - Lilla Cabot Perry ~1895

fleurdulys:

Young Bicyclist - Lilla Cabot Perry

~1895

jaded-mandarin: Portrait of Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes.

jaded-mandarin:

Portrait of Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes.

fleurdulys: Mignonne Allons Voir si la Rose - Paul Serusier 1910

fleurdulys:

Mignonne Allons Voir si la Rose - Paul Serusier

1910

lesfleursdelart: Portrait of Magnolia, James Jebusa Shannon (1899)

lesfleursdelart:

Portrait of Magnolia, James Jebusa Shannon (1899)

(via yukidoll)

petitpoulailler: 1904 Raphael Kirchner (Austrian artist, illustrator; 1876-1907) ~ Mayflies

petitpoulailler:

1904 Raphael Kirchner (Austrian artist, illustrator; 1876-1907) ~ Mayflies

After the Game - Fausto Zonaro  1887

After the Game - Fausto Zonaro  1887

(Source: fleurdulys, via enchantingnagchampa)